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The school includes a large interior patio, which looks out through a glass wall onto the school's expansive private garden, complete with trees and terrace.
Learn and Live Spanish in Spain
don Quijote is a prestigious and well-known organization dedicated to teaching Spanish abroad. Over 125,000 students have learned, lived and enjoyed a full Spanish immersion experience in our Spain and Latin American destinations since 1986.
Daniel de la Roca
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Flamenco shoes are specially designed for flamenco dancers who perform a specific dance that accompanies flamenco music. The term “flamenco shoes” generally refers to the female flamenco dancer’s shoes because in most case the male flamenco performer wears boots. These special flamenco shoes are particularly important because they are used as percussive instruments that accompany the music. This is because the flamenco shoes have special nails in the heels and toes that enhance the sound of the movements.
Flamenco is a Spanish art form that fuses music, singing and dance, all done in a specific style. In fact, the styles are so specific to flamenco that they can be described with their own terms: “toque” refers to flamenco guitar playing, “cante” refers to flamenco singing and “baile” is the term used for the special flamenco dance style.
Flamenco performances are common during religious festivals, celebrations, ceremonies and rituals. Flamenco shows have long delighted both Spaniards and foreigners alike and continue to be a major tourist attraction in Spain. In fact, in November of 2010 UNESCO declared flamenco in Spain as a Masterpiece of Oral and Intangible Heritage of Humanity.
For those just starting to learn how to dance Flamenco, it is probably not necessary to buy flamenco shoes yet. Since most flamenco shoes are high-heeled, a sturdy pair of jazz or ballroom dance shoes should be adequate for beginners. As you advance with flamenco dancing, you will eventually need to purchase a good pair of flamenco shoes because the sound produced by them is vital as the shoes tap the flamenco rhythm and this requires training and a specific technique.
A traditional flamenco shoe is often red or black and matches the beautiful flamenco dress of the dancer. The heel of the shoe can vary in length but often measure between one and three inches (2.5-7 cm). Flamenco pumps also generally feature a strap or ties that cross the foot and lace up above the ankle designed to keep the shoe securely in place. Depending on your flamenco outfit, you can decide which color and type of flamenco shoes are best.
Flamenco shoes can be purchased worldwide, although most serious dancers prefer to order them from traditional Spanish shoe makers who can produce handmade and customized shoes. The cost is not excessive for an authentic pair of Spanish flamenco shoes. Proper shoes can make all the difference in the world to a dedicated flamenco dancer who knows that the rigors of flamenco foot stamping can be difficult on the feet.
In order to choose the best flamenco shoe, it is important to take some things into consideration: color, material (leather, suede, synthetic), heel type (standard, carrete, cubano), heel size, buckle versus straps and whether or not you want the nails pre-installed (they are often sold without nails to practice). Additionally, the quality of flamenco shoes vary based on experience levels: amateur or training flamenco shoes, semi-professional flamenco shoes, professional flamenco shoes and elite flamenco shoes, for the accomplished flamenco dancer.
The differences between classic Spanish guitars and flamenco guitars were not originally differentiated but rather evolved over time. Andalusian guitar-makers originally made flamenco guitars with a wide range of materials to suit different price categories. The cheaper guitars were made from cypress rather than rosewood, which was imported and therefore more expensive. The prevalence of the cheaper guitars would eventually evolve into the major distinction in construction between Spanish classical guitars and Spanish flamenco guitars.
Nowadays, traditional Spanish flamenco guitars are normally made of spruce or cedar tops and cypress or sycamore bodies. However, other wood can also be used including rosewood, maple, koa, satinwood and caviuna wood. Classical guitars, often referred to as Spanish guitars, are often made of mahogany, Indian or Brazilian rosewood for the backs and sides and the soundboards (tops) are made of spruce, red cedar or mahogany.
The combination of wood gives the flamenco guitar its classic color, lighter weight, and more percussive sound quality. Its “brighter” sound is also achieved by reducing the internal bracing and thickness of the wood used in the guitar’s construction. A flamenco guitar, in addition to being more percussive and brighter in sound, is also described as drier and more austere than a classical Spanish guitar. Flamenco guitars have more punchy tones and wide-ranging sounds that have been utilized by jazz and Latin artists as well as in Renaissance and Baroque music.
The volume of the flamenco guitar is crucial as the Spanish flamenco guitarist must be heard over rhythmic clapping and the dancers’ tap dancing with nailed shoes. To achieve more volume, flamenco guitars are constructed with a combination of harder wood for the back and sides and a softer wood for the top. Flamenco guitar players also often use a cejilla (capo) in order to change keys and create a more sharp and percussive sound. Over time, flamenco guitarists developed techniques to enhance their sound and make their music more aggressive since they are often accompanied by orchestras, flutes and other percussion instruments.
Flamenco guitarists often use different postures, strumming patterns and techniques then those of a classical guitarist. One of these techniques, called golpes, involves the flamenco guitarist rhythmically tapping the soundboard area of the guitar. The rhythmic golpes are likely the biggest distinction between classical and flamenco guitar playing and are responsible for producing flamenco guitar music’s characteristic sound.
Golpes are employed by flamenco guitarists often and freely and are characterized by the following terms: toque airoso (graceful, rhythmic), toque gitano/flamenco (deep and expressive), toque pastueño (calm, fearless), toque sobrio (sober, not showing off), toque virtuoso (masterful), toque corto (short, basic), and toque frío (unexpressive). The flamenco guitar is protected from the golpes with a plastic guard called a golpeador that must often be replaced.
Other flamenco guitar playing techniques include: alzapúa (a thumb strumming technique), picado (quick single line scale technique), rasgueado (rhythmic strumming technique) and tremolo (rapid repetition technique of a single treble note).
Some famous Spanish flamenco guitarists (tocaores) include: Raimundo Amador, Vicente Amigo, Pepe Habichuela, Daniel Casares, Paco de Lucía, Enrique de Melchor, Manuel Molina, Manolo Sanlúcar, Paco Serrano, Pedro Sierra, Victor Monge (Serranito) José Fernández Torres (Tomatito) and many more.
The dress is figure-hugging, ankle length, with ruffles in both the layered skirt and the sleeves. The most common colors for flamenco dresses are red, black and white but they are typically bright colored. The most typical Spanish flamenco dress features a polka dotted pattern (traje de lunares), but they can also be plain dresses with no pattern. The flamenco dancer normally appears with her hair in a bun, a mantle (similar to a shawl) on her shoulders and high heels. Over time the flamenco costume has become richer in color and has adopted adornments and compliments such as lacing, embroidered ribbons, flowers, costume-jewelry and hand fans.
Flamenco clothes are now thought of as traditionally Andalusian clothes but actually originated from the Spanish Gypsies (Romani people) in the 19th and early 20th centuries. Women, dressed in calico gowns with ruffles, accompanied livestock traders that gathered at the Prado de San Sebastián for what would become Seville's Feria de Abril (April Fair). Their look, over time, was adopted by women of other classes and in 1929 even distinguished ladies appeared in traditional flamenco dress at the Ibero-American Exhibition. Eventually the Spanish dress from Andalucía would become the official outfit for the Seville Fair.
Flamenco dance wear has changed over time and become more widespread in use. In the 1960s and 70s, Spanish flamenco dresses began appearing with shorter skirts. However, by the 1970s the dresses returned to their traditional longer form. By the early 21st century, Spanish flamenco dresses were available in a wide variety of colors, patterns, sleeve lengths, and ruffle amounts.
The unique look of flamenco dance wear inspires designers from all over the world to produce their own flamenco dress styles by combining tradition and innovation. Victorio & Lucchino have their own line of flamenco costumes and designers like Saint Laurent, John Galliano, Valentino Garavani and Tom Ford have been openly inspired by the genre. In fact, each year at the International Flamenco Fashion Show in Seville designers present the latest trends in flamenco clothing.
Flamenco clothing has stood the test of time and will continue to reinvent itself as an important part of the Spanish culture and tradition.
Labyrinth of Passion was the beginning of a mutually rewarding partnership that gave way to such unforgettable releases as 1986's Matador, Law of Desire (1987), and box office hits Women on the Verge of a Nervous Breakdown (1988) and Tie Me Up! Tie Me Down! (1990) which piqued Hollywood's interest in the Latin sensation.
He crossed over to American films in 1992, playing a young Cuban musician in The Mambo Kings. At the time he was cast, Banderas spoke no English words and had to learn all of his dialogue phonetically. However, his screen presence was so intense, it provided the jump-start Antonio needed. He was cast opposite Tom Hanks in the 1993 Oscar-winner Philadelphia, then went on to take a bite out of the big screen -- and some innocent victims -- with fellow blood-suckers Brad Pitt and Tom Cruise in the 1994 blockbuster, Interview with the Vampire. The breakout (leading) role that garnered him Hollywood success was in the 1995 failed film Desperado.
With an impressively long of movies to his name, the actor once saturated audiences with a surplus of movie releases in 1995. This overexposure endangered him in becoming a media burnout, thus delegating the actor to take a break.
Some of his early credits include romancing Glenn Close and Winona Ryder in The House of Spirits, a lover in Miami Rhapsody and a role opposite future wife Melanie Griffith in 1995's Two Much. They married in London 1 year later. In The Mask of Zorro (1998), Banderas got the honor of being the first Latino to represent the 19th-century Mexican masked avenger. He gave voice to Puss the Boots in the 2004 animated movie Shrek and tackled the true-life story of ballroom dancer Pierre Dulaine, who volunteered his time to teach a group of inner-city kids how to dance in the 2006 movie Take the Lead.
The melodramatic nature of his films has made Almodóvar a Spanish cultural reference within his smoldering good looks and great charismatic personality, it is easy to see why this Hollywood conquistador was chosen as ""one of the 50 most beautiful people in the world"" by People Weekly. Banderas founded his own production company Green Moon Productions, whose name pays homage to Spanish poet Federico Garcia Lorca and received in 2008 the Gold Medal of Arts from the hands of the Spanish King Juan Carlos and Queen Sofía for staying true to his roots as an artist and as a person.